The British Academy of Songwriters, Composers and Authors (BASCA) have announced the winners of the 2009 British Composer Awards.
Now in its seventh year, the Awards are presented by BASCA and sponsored by PRS for Music and were presented at a ceremony last night at the Law Society in London.
The key-note comments at the ceremony were given by Sir Nicholas Kenyon, CBE who also presented the winners with their Awards.
This year’s event gave special focus to the new Award for Contemporary Jazz Composition which was won by composer and saxophonist, Jason Yarde for his BBC Prom commission, Rhythm and Other Fascinations.
The advent of Jazz as a new awards category was also celebrated by Scottish jazz quartet Brass Jaw, whose performances included two new works specially commissioned by BBC Radio 3 from jazz legend John Surman, especially for the occasion.
Surman, who appeared recently at the London Jazz Festival, was at the Awards to acknowledge the two world premieres.
Ellis Rich, Chairman of PRS for Music, sponsors of the Awards, said:
“Yet again we’ve seen that this country has a wealth of contemporary classical music talent and it is right that this is celebrated. It is also great to see a Jazz award added to the mix. Congratulations to all 2009’s winners.”
Across the Awards categories, more than 300 submissions were received for works premiered between 1 April 2008 and 31st March 2009.
The winners list features some of the UK’s most established and recognised contemporary composers alongside emerging new talent.
John Tavener’s sequence of carols, Ex Maria Virgine won in the Liturgical Category; Since Brass, Nor Stone by Alexander Goehr captured the Chamber Music Award; and the International Award was won by American icon, John Adams for his equally iconic opera, Doctor Atomic.
Newcomers, Mira Calix and Elizabeth Winters took the awards in the Community and Educational and Making Music categories for their works, My Secret Heart and The Serious Side of Madness.
Works by previous Award winners, Simon Holt and Gabriel Jackson picked up the 2009 Awards for Orchestral music and for Chamber music while Adam Gorb took his third Award in seven years in the category for Wind Band or Brass Band with, Farewell, composed for the National Youth Wind Orchestras of Wales.
FULL LIST OF WINNERS
VOCAL: John Casken – The Dream of the Rood
The judges said: “This is an epic work setting a striking text. We were immediately gripped by its gravitas and beautiful harmonic language – a powerful and emotional piece.”
INSTRUMENTAL SOLO OR DUO: Thomas Simaku – Soliloquy V, Flauto Acerbo
The judging panel unanimously agreed that the winning work redefines the instrument in a visionary and entirely original way. They praised it for its virtuosity, depth of expression, and powerful imagination.
LITURGICAL: John Tavener – Ex Maria Virgine
The judges were impressed with the scope of the winning work and felt it would have many applications in many settings for both amateur and professional chapel choirs. They described it as “dramatic, atmospheric, at times joyous and at times meditative.”
COMMUNITY OR EDUCATIONAL PROJECT: Mira Calix – My Secret Heart
The judges describe the winning work as: “transformational, capturing raw humanity and giving voice to the disenfranchised in a sound-world which is original, absorbing and unsettling.”
CHAMBER: Alexander Goehr – Since Brass, Nor Stone…
The judges praised the winning work: “fresh lyricism, lightness of touch and joy in melodic and rhythmic invention.” The panel’s decision was unanimous for a work which they hailed as that of a master.
SONIC ART: Mark Peter Wright – A Quiet Reverie
The panel thought the winning work was a “skilled and subtle essay in the manipulation of environmental sounds. It is immersive and reflective and a powerful evocation of place and space.”
INTERNATIONAL: John Adams – Doctor Atomic
This is what the judges had to say about the winning work: “This music has an epic sweep. It demonstrates a formidable technique in all departments and exudes an incredible poignancy. Simply, sensational.”
ORCHESTRAL: Simon Holt – A Table of Noises
The judges came to a unanimous decision and have provided a pithy verdict about the winning composition: “This work shows an extraordinary sense of beguiling and haunting instrumental sonorities, defining a piece of breathtaking originality, imagination, invention and wit.”
STAGE WORKS: Graham Fitkin – Reel
The jury felt this was a very strong set of entries and while shortlisting these three significant works, they indicated there could easily have been more. The winning work they say, is by a composer with a “clear and original musical voice. It is inventive, elegant and witty, and demonstrates a perfect partnership between music and dance.”
MAKING MUSIC: Elizabeth Winters – The Serious Side of Madness
The jury says that, from the outset, they were “intrigued and delighted by the sound world of the winning work.” In a large and diverse field, it stood out for the composer’s fine ear and excellent technique. Easily playable by amateurs, in the judges’ view, it was nonetheless clearly a serious and effective concert work.
WIND BAND OR BRASS BAND: Adam Gorb – Farewell
The judges say the winning work is “highly original work, beautifully scored, brave and epic.” The climax of the piece they describe as “aurally devastating”. In conclusion: “The winning work is in a class of its own, crafted by a true master of the genre.”
CHORAL: Gabriel Jackson – The Spacious Firmament
In reaching their decision, the panel of judges conceded that the winning work was pushed very hard by its impressive competitors. Ultimately it was, “text and meaning, mirrored in music of great vigour and beauty” which brought the winning work to the fore, and they go on to applaud the music for its, “colour, panache, sincerity and disarming directness.”
CONTEMPORARY JAZZ COMPOSITION: Jason Yarde – Rhythm and Other Fascinations.
In the judges’ opinion, the winning work is “innovative, accomplished and entertaining. It achieves that difficult double act of looking back in homage to a bye-gone era and at the same time, achieving a very contemporary vision. A worthy winner from a strongly emerging voice of UK jazz.”
BASCA (the British Academy of Songwriters, Composers and Authors) is the professional association for all music writers in the UK; with over 2,000 members, it is the single voice for British music creators.
PRS for Music is the leading copyright and royalty collection society representing 60,000 songwriters, composers and music publishers. A not-for-profit organisation it ensures music creators are paid whenever their music is played.
